“Curlews Lift”, Ted Hughes
Curlews Lift Out of the maternal watery blue lines Stripped of all but their cry Some twists of near-edible sinew They slough off The robes of bilberry blue The cloud-stained…
Category: words
A poem for Palm Sunday – “The Donkey”, G K Chesterton
I find Chesterton a somewhat mixed bag , and that applies to his poetry also, but this has always moved me deeply, and is all the more effective for concealing…
“Hempel’s views now are often contemptuously described as the ‘received view` meaning the ‘not received by anyone who has read my latest article view`. “
An entry by Prof Michael Ruse on Carl HempelFrom The Oxford Companion to Philosophy. I particularly like the second paragraph… Hempel, Carl Gustav ( 1905 – 97 ). One of…
“Seduced by sinners, fools, & jerks I delight in as I write in my study, my pen my poker, my thoughts often bloody” – ‘Flannery and St. Thomas, Take II’ by Angela Alaimo O’Donnell
I posted Angela Alaimo O’Donnell’s “Flannery and Dante” the other day. Here is another poem by O’Donnell, this time dealing with Flannery O’Connor and St Thomas Aquinas. “Flannery and St…
Flannery and Dante – a poem by Angela Alaimo O’Donnell
At The Other Journal I come across this poem “riffing on Flannery O’Connor’s fandom for Dante” as the site itself puts it: Flannery and Dante For my money Dante is about as…
J G Ballard on viewing Crivelli’s Annunciation
Via Bibliokept: I am sure that a large part of the enduring mystery of the Renaissance masterpieces in the National Gallery was due to the absence of the explanatory matter that…
Jarod Gott on Tinder, writing and the presentation of the self
Recently I was at Dreams, Hallucinations and the Imagination, a conference organised by the University of Glasgow’s Centre for the Study of Perceptual Experience. Dreams and like experiences are an interest…
The lost worlds of Debois and Julieta Guipeal at the Tipperary County Museum
This is Portrait of a Man, by Julieta Guipeal: Apologies for the photo quality – this was taken with my phone’s camera in a well-lit (and thereby reflective) space. It…
Séamus Sweeney 