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Posted on July 31, 2018July 28, 2018

Doon Mass Rock, Doon, Co. Donegal.

While the Holy Well and the rock where the O’Donnell chieftain was inaugurated are better known, the site near Termon in Donegal features a well–preserved Mass Rock. These photos capture it from…

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Posted on July 30, 2018July 26, 2018

“The Driver”, winner of Molly Keane Memorial Creative Writing Award 2010

It was a privilege to receive this award in 2010 in Lismore, via the auspices of Waterford County Council, and to hear the kind words from Molly Keane’s daughter at…

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Posted on July 28, 2018July 28, 2018

The Commons – Ballingarry Famine Walk , 28th July 2018

A little while ago I blogged that Choctaw artist/writer Waylon Gary White Deer was to lead a Famine Walk on the 28th July Well, today was the 28th July, so…

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Posted on July 26, 2018July 26, 2018

A resting blessing from the Carmina Gadelica

From Alexander Carmichael’s collection of the Scottish oral tradition Carmina Gadelica , a resting blessing   AN ainm an Tighearn Iosa, Agus Spiorad ìocshlain aigh, An ainm Athar Israil, Sinim sios…

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Posted on July 26, 2018

The Waxwing Slain – short story from Nthposition.com, 2004

  This was the first story I had published on the now defunct nthposition.com. It owes a little too much to a certain J G Ballard story, but re-reading it…

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Posted on July 26, 2018

The Boy Who Never Saw Pictures – The Dabbler Blog, May 2014

Originally posted on A Medical Education:
I came across the paper described in this piece in a book on the pictorial world of children. I also emailed one of the…

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Posted on July 26, 2018

Review of An Odd Kind Of Fame: Stories of Phineas Gage. Nthposition. Mid-2004

Originally posted on A Medical Education:
This piece is no longer actively on nthposition. Fortunately I had previously preserved a copy on a precursor of this blog, with an entertaining typo in the heading.…

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Posted on July 26, 2018

Review of “Guys and Dolls” from StompTokyo.com 1999/2000-ish

While the website Stomp Tokyo still exists, this particular review is on it no more…and I am not sure how well it fitted with Stomp Tokyo’s overall aesthetic of “B-movies, Godzilla…

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