Sound Artist Lawrence English on the Power of Radical Listening
How did you become interested in working with sound as a creative medium?
When I was a kid, I’d go bird watching with my dad at this waterfront area of Brisbane that’s now populated with condos. My dad would take us there and we’d look for Reed Warblers on binoculars, which is cruel for children because they can’t control their own eyes, let alone a second set of eyes that’s meant to help them see deeper.
I was constantly looking for this bird, and after several months of not seeing it, my dad told me to put the binoculars down, to close my eyes and listen. He said, “Now that you know where the bird is, put the binoculars back to your eyes and look where you sense the sound is.” I did that and I was able to see the bird straightaway. That was the first time I understood the role of sound as a way of sense-making, as a way of being into the world.
Later in the interview:
You intentionally collaborated more on Cruel Optimism. What can connection, real physical connection, do for us in these times? Are you hopeful that we can discern how to move beyond the issues that ensnare us in 2017?
I’m incredibly optimistic about the future. But, in saying that, I’m the past. My children are the future and their children are the future. My place is to support them and to love them and to encourage in them a way of being in the world that is reflective of the things we’re talking about. This is one of the most critical things I feel that I can do with whatever time remains for me.
There’s this great quote from Neil Postman, who was a wonderful academic who lived in New York. He wrote a book called The Disappearance of Childhood, and at the beginning he basically said, “Children are the living messages that we send to a time that we will never see.” That’s a profound way to think about the idea of time and our time on the planet.