“The Faber Popular Reciter”, Introduction by Kingsley Amis
In a letter of 12 August 1977 to Robert Conquest, Kingsley Amis wrote: The Faber Book of Non-Trendy Verse has been easier and is going faster: a careful look through…
Category: all art is quite useless
“The Best Lack All Conviction, while the Worst / Are Full Of Passionate Intensity”
According to this article from August 2016, lines from Yeats’ The Second Coming were quoted more often in the first seven months of 2016 than in any of the prior…
The lost world of Ana Olgica
(edit 22nd August 2018 – readers may also be interested in the careers of Amity Cadet and Enno Aare) Ana Olgica on Spotify. Continuing from my profile of the work…
The lost world of Amity Cadet
(edit 22nd August 2018 – readers may also be interested in the careers of Ana Olgica and Enno Aare) The works of the Vietnam-born French composer and pianist Amity Cadet…
Some personal highlights of #Inktober
#inktober #inktober2017 #inktober17 #underwater #anchor pic.twitter.com/yuk43puTk2 — Ricky Millar (@Rickrickboom) October 4, 2017 //platform.twitter.com/widgets.js Inktober is a … well, here is the inevitable video: So there you go – a…
Cornelius Medvei: “We don’t take characters and develop them; we set ourselves writing puzzles and try to solve them”
The Making of Mr Bolsover is a novel which it is relatively easy to find critical words phrases to describe – mock-heroic, deadpan, quietly subversive – yet each leaves one…
Harry Clarke: The Master of Stained Glass — A R T L▼R K post
Given how much I have been featuring Harry Clarke work (see also here and here and Harry Clarke Studio alumni here) I thought it might be nice to share this…
Why people still buy luxury watches – From “Timekeepers”, Simon Garfield
“But there is another reason for the proliferation of the wristwatch beyond our innate desire to preen. Telling the time has, since sometime in the fifteenth century, been the way…
Séamus Sweeney 